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Name:-Nirali dungrani
SEM:-02
Roll no:-24
Year:-2017-2019
Enrollment no:-2069108420180012
Paper:-8(cultural studies)
Assignment topic:-Postmodernism in cultural studies.
Email id:-dungraninirali@gmail.com
Submitted:-S.B.Gardi Department of English




Introduction:-
Image result for postmodern literature
Ø Postmodernism is a reaction against modernism. The term postmodernism use   for cultural studies, rejects the opposition between high or elite cultural and   law or mass culture.
Ø Postmodernism, especially in term of its use for cultural studies, rejects the opposition between high or elite culture.
Ø Major figures of high modernism who radically redefined poetry and fiction included Virginia Woolf, James Joyce, Ezra Pound, T.S.Eliot, Wallace Stevens, Marcel Proust, Franz Kafka and William fallace.
Ø a late 20th-century style and concept in the arts, architecture, and criticism, which represents a departure from modernism and is characterized by the self-conscious use of earlier styles and conventions, a mixing of different artistic styles and media, and a general distrust of theories.
Ø Postmodernism is closely aligned with cultural studies, and its focus on the modes by which certain culture artefacts come to occupy higher status.
Ø Postmodernism borrows from modernism disillusionment with the givens of society; a penchant for irony; the self-conscious play either the work of art; fragmentation and ambiguity; and a destructured,decentered,dehumanized sub-ject.but while modernism presented a fragmented view of human history, this fragmentation was seen as a tragic.
Ø Postmodernism suggests the power relations structure all social truths, approaches and even conceptions of reality.
Ø Postmodernism prefers mini-narratives of local events.
Ø Postmodernism is best compared to the emergens of computer technology.

            

Characteristics of Postmodernism:-
When listing the characteristics of postmodernism, it is important to remember that postmodernists do not place their philosophy in a defined box or category. Their beliefs and practices are personal rather than being identifiable with a particular establishment or special interest group. The following principles appear elemental to postmodernists:
Ø There is no absolute truth - Postmodernists believe that the notion of truth is a contrived illusion, misused by people and special interest groups to gain power over others.
Ø Truth and error are synonymous - Facts, postmodernists claim, are too limiting to determine anything. Changing erratically, what is fact today can be false tomorrow.
Ø Self-conceptualization and rationalization - Traditional logic and objectivity are spurned by postmodernists. Preferring to rely on opinions rather than embrace facts, postmodernist spurn the scientific method.
Ø Traditional authority is false and corrupt - Postmodernists speak out against the constraints of religious morals and secular authority. They wage intellectual revolution to voice their concerns about traditional establishment.
Ø Ownership - They claim that collective ownership would most fairly administrate goods and services.
Ø Disillusionment with modernism - Postmodernists rue the unfulfilled promises of science, technology, government, and religion.
Ø Morality is personal - Believing ethics to be relative, postmodernists subject morality to personal opinion. They define morality as each person’s private code of ethics without the need to follow traditional values and rules.
Ø Globalization – Many postmodernists claim that national boundaries are a hindrance to human communication. Nationalism, they believe, causes wars. Therefore, postmodernists often propose internationalism and uniting separate countries.
Ø All religions are valid - Valuing inclusive faiths, postmodernists gravitate towards New Age religion. They denounce the exclusive claims of Jesus Christ as being the only way to God.
Ø Liberal ethics - Postmodernists defend the cause of feminists and homosexuals.
Ø Pro-environmentalism - Defending “Mother Earth,” postmodernists blame Western society for its destruction.

Post-modernism and Modernism
Ø Postmodernism was a reaction against modernism. Modernism was generally based on idealism and a utopian vision of human life and society and a belief in progress.
Ø  It assumed that certain ultimate universal principles or truths such as those formulated by religion or science could be used to understand or explain reality.
Ø  Modernist artists experimented with form, technique and processes rather than focusing on subjects, believing they could find a way of purely reflecting the modern world.
Ø While modernism was based on idealism and reason, postmodernism was born of scepticism and a suspicion of reason.
Ø It challenged the notion that there are universal certainties or truths.
Ø Postmodern art drew on philosophy of the mid to late twentieth century, and advocated that individual experience and interpretation of our experience was more concrete than abstract principles.
Ø While the modernists championed clarity and simplicity; postmodernism embraced complex and often contradictory layers of meaning.
Postmodernism – Right and Wrong?
Postmodernists do not attempt to refine their thoughts about what is right or wrong, true or false, good or evil. They believe that there isn’t such a thing as absolute truth. Postmodernist views the world outside of themselves as being in error, that is, other people’s truth becomes indistinguishable from error. Therefore, no one has the authority to define truth or impose upon others his idea of moral right and wrong.

Their self-rationalization of the universe and world around them pits themselves against divine revelation versus moral relativism. Many choose to believe in naturalism and evolution rather than God and creationism.


Postmodern art:-                      
Ø Postmodern art was late 20th century movement. It opposed the modernist preoccupation with purity of from and technique.
Ø Postmodernism is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath.  
Ø Postmodern artists such as assemblage artist Robert Rauschenberg and sculptor Claes Oldenburg take a more skeptical view of artistic purity and seriousness.
Ø Modernist artists typically identify with the idea of "art for art's sake", value the individuality of the artist, and believe in technological and artistic progress. Art critic Clement Greenberg embodies this position in his claim that the goal of each art is to reveal the inherent properties of its medium.
Ø Postmodernists opened art to a wide variety of influences and sources of material from various places and time periods, also frequently seeking to identify and diminish hierarchies in the art world and society, such as in the Appropriationist works of Sherry Levine, or the political art of Barbara Kruger or Judy Chicago.    

 Difference between Modern Art and Postmodern Art

                   
           
1) Modern art believed in the theory of going deep into the subject. On the other hand. Postmodern art does not believe in the theory of going deep into the subject.
2) In modern art, you will see actual paintings. In postmodern art, you will see that creations include not only painting but sometimes texts. This is something you do not see in modern art.

3) Modern art believes in the individual, postmodern art believes that social context matters.


Subculture, popular culture and postmodernism:-

Ø The arrival of rock music, MTV, films such as Ridley scott's Blade Runner have created a whole postmodern popular culture.

Ø A good example of a postmodern art from that exhibits several of the concepts and themes discussed above is cyberpunk.

Ø Postmodernism in cultural studies celebrates the fragmented, the plural, the contingent and the local while rejecting universals and totalities. It sees representation as an end in itself calls into question the nation of TRUTH behind signs/words/images and collapses the distinction between original and copy.


   


  Jean-francois Lyotard and the postmodern condition:-

                         

Ø Lyotard introduced the term postmodernism which was previously only used by art critics, into philosophy and social sciences.

Ø Jean-Francois characterize the postmodern as a disbelife in and resistance to metanrratives.


Ø Postmodernism acknowledges that all knowledge is fragmentary, partial and incomplete. 

Ø He argues that stability is maintained through grand narratives or master narratives, stories a culture tells itself about its practices and beliefs in order to keep going.
                                                                                                    
Jane Baudrillard and the Hyperreal:         
Ø Baudrillard's central argumen is that in the age of perfect reproduction and andless repetition of images, the distinction between the real and the illusory, between original and copy, between superficiality and depth.
Ø For Baudrilladr,the postmodern is characterize by the hyoerreal and also by the collapse of distinction between the private and the public
Ø For him postmodernism marks a culture composed if disparate fragmentary experiences and images that constantly bombard the individual in music, video, television, advertising and other forms of electronic media.
Ø Postmodernism thus reflect both the energy and diversity of contemporary life as well as its frequent lack of coherence and depth.







Paul Virilio and Hypermodernism:-



Ø Virile argues that the histories of socio-political institutions such the military or even cultural movements demonstrate the need for speed rather than commerce.
Ø He argues that higher soeeds belong to the upper reaches so society and the slower ones to the bottom.
He suggests that hypermodern vision and the hypomodern city are both products of military power and time based cinematic technologies of disappearance.


Conclusion:-

Ø We can see that postmodernism has given us many idead which are important.
Ø Postmodernism rejects any totality-of knowledge, ideology or philosophy.
Ø Postmodernism demonstrates that when we try & reproduce objects as a percevible shape, it appears sadly lacking to us.
Ø It believes in the contingency of values and the very local nature of truth.
Ø It is present only in its absence; knowable only through its unrepresentability.
Ø Postmodernism art and culture deliberately evoke older forms to parody and subvert the hierarchy so mass culture.
Ø Baudrillard also values the postmodern principle of non-representation.
Ø It belives that with the adent of more technology and media, our lives are under constant surveillance.

Bibliography










 

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